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16 x 17 3/4 inches (40.6 x 45 cm)
edition of 200 at $275
These prints are made with fade-resistant, archival-quality ink and are printed on 100% cotton rag, acid-free and ph neutral watercolor paper. This particular paper stock is designed for professional artworks, featuring brilliant whites and a weight of 255 gsm.
The dimensions listed are for the size of paper containing the image, not the image size itself. This edition has a 1/2 inch border on all sides.
This print ships unframed. For framing suggestions, please read below.
All official ArtWeLove editions are supervised by the artist and paired with a signed Certificate of Authenticity unless otherwise noted. ArtWeLove occasionally provides carefully select editions produced by other companies to our members, which may not have a signed certificate and are noted as such.
On our Fall Schedule, most prints ship everywhere in the U.S. within 7-12 business days (often earlier). Learn more.
The artist recommends using a contemporary look with 1 1/2-inch-deep frame in a white finish and a 3-inch snow white, acid-free matte board.More on framing recommendations
About This Work
“The word pollution refers to that which has no place in culture. But pollution is not only everywhere, it makes the structure of our world possible. There is no modernity without it,” says Otero-Pailos, of his project Alumix Dust 1937-2008. This edition is a photograph of the pollution that Otero-Pailos removed from the Fascist era Alumix factory in Bolzano, Italy, and that he transferred onto latex as part of his installation for the 2008 Manifesta Biennale. These limited edition giclee prints are especially created by the artist for ArtWeLove’s collectors. Enter Otero-Pailos’ fascinating universe and discover his motivations behind this work by watching this 3-minute studio visit.
Venice Biennale-featured Jorge Otero-Pailos was trained as an architect and specializes in experimental forms of preservation. In his projects, preservation enables a powerful rethinking of our world’s heritage.